寄人皮下

恐怖片美国2023

主演:海瑟·格拉汉姆,犹大·刘易斯,芭芭拉·克兰普顿,布鲁斯·戴维森,乔纳森·斯卡奇,克里斯·麦基纳,J·D·埃弗摩尔,乔瓦尼·克鲁兹,安·马奥尼,约拿·雷,Graham Skipper,Brett Newton,Hunter Womack,Drake Malone,Kim Barnard

导演:乔·林奇

 剧照

寄人皮下 剧照 NO.1寄人皮下 剧照 NO.2寄人皮下 剧照 NO.3寄人皮下 剧照 NO.4寄人皮下 剧照 NO.5寄人皮下 剧照 NO.6
更新时间:2024-04-28 16:39

详细剧情

  Just days ago, Elizabeth Derby (Heather Graham) was a successful psychiatrist with a loving husband and the world at her fingertips. Now, she finds herself locked up inside a psych ward after the murder of a young male patient to whom she had an inexplicable, almost otherworldly attraction. Hoping to clear her name, Elizabeth confides in her doctor and recounts what happened, giving way to a bizarre and disturbing tale of sexual madness, supernatural horror, and homicidal rage. The deeper the story goes, the more unhinged and carnage-laden life becomes, not just for Elizabeth but for everyone in her path.  In this cinematic love letter to the late, great horror filmmaker Stuart Gordon (Re-Animator, From Beyond), the go-for-broke indie veteran Joe Lynch provides an unpredictable and delightfully perverted gift to fans of everything from erotic thrillers to body horror and H.P Lovecraft-minded cosmic mayhem. Written by Re-Animator scribe Dennis Paoli, produced by ‘80s horror maven Brian Yuzna (Society), and co-starring Re-Animator MVP Barbara Crampton, Suitable Flesh will be catnip for those who like their horror equal parts classically minded and progressively unclassifiable.

 长篇影评

 短评

刚看完弗尔茨致敬片,紧接着又看到一部斯图尔特·戈登致敬片,看来还是有不少电影人依然在怀念前elevated horror时代的good old days。有趣的是导演有意强调了换身喜剧中的酷儿性(邪魔的non-binary色情狂设定),可惜叙事效率低,总在试图解释些什么,内容有点重复,恶趣味的换身过程也大多被浪费了(例如第一次父子间的换身,完全可以有更多遐想空间),拍得不够自信。

6分钟前
  • 字母君
  • 还行

灵魂互换cliche网大

7分钟前
  • mills
  • 较差

为什么要把互换身体的艾薇拍这么长 二十年前的土味审美 我恨你导演 还我票钱

12分钟前
  • Miu
  • 较差

这么差的制作水平有阵子没见了

17分钟前
  • 大巨傻
  • 较差

好疯批的电影

20分钟前
  • Lady肉肉
  • 还行

贴图完毕

23分钟前
  • @大月半子
  • 还行

好荒谬的一个片……好好笑哦

26分钟前
  • JBravo💃
  • 还行

“鬼作秀”剧组待久了,拍起长片都带点小品味儿,几乎准确捕捉到了斯图尔特·戈登&布莱恩·尤兹纳式现代洛式改编电影的质感,甚至连那种黑色幽默般的低俗邪淫气息和黏稠肮脏的介乎于抽象和具象间的“在场”又“不在场”的精神恐惧都被描绘了出来,纵然故事陈旧,但又并未如《砍人快乐》那样在性别和LGBT议题上做太多停留,近乎任由一种老派的强冒犯性的剥削趣味滋生,注定了电影的些许局限性,倒也因此在类型上变得纯粹。

29分钟前
  • 文森特九六
  • 推荐

bifan#01 😴 老套 粗糙 质感塑料

34分钟前
  • taetae的
  • 较差

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